One of the most popular opinion pieces I’ve written in the past few years, in terms of total number of reader views, was “Devialet, SAM, and the Changing of the High-End Guard.” In it, I described my experiences with the Devialet 120 integrated amplifier-DAC ($6495 USD) and, more specifically, Devialet’s Speaker Active Matching (SAM) function, which worked so well with Magico’s excellent S1 loudspeakers. I had high hopes for Devialet’s products -- still do, actually -- but now I’m beginning to wonder.
I started turning away from the whole notion of declaring something “the best” about the time I shut down my column, “The World’s Best Audio System.” Don’t get me wrong: The writings and events that made up the TWBAS series were enlightening -- I was able to learn from lots of talented industry folks, and assembled several state-of-the-art audio systems in my listening room, the Music Vault. In terms of establishing a personal audio reference, this was invaluable, and no doubt made me a better reviewer. But there’s a futility in searching for the universal “best” -- at least, in high-end audio. It’s an argument that’s never settled, by me or by anyone else.
Charlie Hunter Music CHM006
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Charlie Hunter’s seven- and eight-string guitars are wired to generate separate signals for their bass and treble strings, which allows him to accentuate the bass lines as well as chords and single-note solos. That he can play those parts simultaneously is an indication of his dexterity and virtuosity, but he also does it in a way that is musically exciting and satisfying. He has chops enough to generate fireworks, but he is a song-driven player.
Audiophiles looking for a music server can use a home computer, a music server made by a traditional audiophile component manufacturer, or do it themselves. Typically, the DIY approach is for the very computer savvy, and some custom-designed servers are very good indeed. They can include specially made or modified audiophile parts -- USB cards, clock modules, solid-state drives, SATA cables -- and can even be on the technological cutting edge.
But if you lack the knowledge, time, or inclination to build a custom server, there’s a fourth way: go to a company that will design and build one for you. One such company is England’s Hifidelit, whose server I used to test the software that is the subject of this review.
Barely a day goes by that SoundStage! Network publisher Doug Schneider and I don’t have discussions about the daily workings of the business, and the long- and medium-range goals we have for the SoundStage! magazines. Doug is very much the visionary here, often seeing industry trends early and recognizing openings through which we can leverage our strengths. My role is different: I keep us on track. Stephen R. Covey, author of The Seven Habits of Highly Effective People: Powerful Lessons in Personal Change and other notable books, once said, “The main thing is to keep the main thing the main thing.” Yes, we have expanded SoundStage! greatly over the past six years, but we’ve also remained true to our roots: solid reviews of high-end audio components, posted on the first and the fifteenth of every month. That last part is critical.
There are some things I don’t like about the Soulution 711 stereo power amplifier, and the first is the astronomical price: $65,000 USD. That’s far beyond what any normal person could ever afford. You could certainly make the case that something like the Benchmark Media Systems AHB2, at $2995, is far more relevant to the vast majority of audiophiles.
I have come to admire the 711’s understated appearance. It’s certainly built well, with close tolerances, excellent fit’n’finish, and tasteful appearance. It is not, however, the audio equivalent of a Rolex watch -- it lacks enough visual bling. I think the Dan D’Agostino products are the polar opposite -- they demand attention with their gleaming copper and watch-face meters -- but even Boulder Amplifiers, and certainly Gryphon Audio Designs, bring more defining exterior design elements to the fore. The latter are more distinctive.
Blue Note Records B0022593-01
Musical Performance: ***1/2
Sound Quality: ****
Overall Enjoyment: ****
Blue Note’s 75th-anniversary vinyl release series continues until the end of October, and one recent series of reissues included this 1965 Hank Mobley title comprising two sessions, one from March 7, 1963 and the other from February 5, 1965. Additional tracks from the earlier session had appeared in 1964, on No Room for Squares, and two others would show up on Straight No Filter, a vault-clearing 1986 release that included work from four different sessions.
As a native son of Pennsylvania, I was thrilled when I learned that I would be reviewing Rogue Audio’s new RP-5 tubed preamplifier ($3500 USD), as soon as a sample was available. Rogue is based in Brodheadsville, 90 miles north of Philadelphia and about an hour from where I live. As sports fans, Philadelphians are typically long-suffering but devoted. With that as my background, it would be easy to be a fan of a local audio company. However, Philadelphians’ familiarity with recurring heartbreak has taught us to view everything with a critical eye. I anticipated the arrival of a new audio component, full of hope that it would live up to the fine reputation of Rogue’s other US-made products. What arrived surprised me in several ways.
This past May, while in Munich, Germany, to attend High End 2015, I was a guest at a manufacturer-sponsored dinner where I was seated next to Stereophile writer Michael Fremer. We talked about a number of subjects, including, unsurprisingly, his love for analog sound. Unless you’ve lived under a rock, you know that Fremer is an LP-and-turntable guy. Throughout our very civil and enjoyable conversation, there were many points we agreed on, and a few we did not. However, one thing Fremer said stood out from the rest: He can’t enjoy digital recordings; it takes analog sound to relax him and get him into the music. That’s a paraphrase, but it captures his gist. I believe this to be his honest opinion, and have no reason to believe he’s shilling for the analog-equipment manufacturers. I trust him on this.
Just over a decade ago, Simaudio introduced their Moon Evolution series: a no-holds-barred line of products representing the pinnacle of what this highly regarded Canadian company has to offer. Within the year, Jeff Fritz had reviewed three Moon Evolution models -- the P8 preamplifier, the Andromeda CD player, and the W8 stereo amplifier -- and awarded each what was then Ultra Audio’s Select Component status (now Reviewers’ Choice). And he kept the P8 as his reference preamp. Shortly thereafter, our founder, Doug Schneider, reviewed the Moon SuperNova CD player, gave it a Reviewers’ Choice award, and made it his disc spinner of choice.
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