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December 1, 2008
Ian Flemings James Bond has always had a special relationship with technology. One reason this has been highlighted to such a degree in the many Bond movies is the fact that the makers of luxury goods pay to associate their products with the suave but tough Bond: from the Omega Seamaster to the Aston Martin DB5, Bond always has the coolest gear and shows it off in the most exotic and lavish locations around the world. In light of the recent release of the latest Bond flick, Quantum of Solace, I came to the conclusion that Agent 007 would be a prime candidate for a really good stereo system, albeit one with some modifications to suit his, uh, personal needs. Lets face it: whether hes entertaining a striking but dangerous double agent or protecting his top-secret bachelor pad from a rogue assassin, a good hi-fi system can come in handy. So here is my proposed stereo system for James Bond: Anchoring 007s stereo system would be the Fujitsu Ten Eclipse TD712z loudspeakers. With their all-metal finish and distinctively modern pod-esque appearance, they look the part of Bond-approved gear. Q would modify each speakers cylindrical head so that it rotates through 360 degrees via an ultraquiet motor system, and inside each tweeters voice-coil would be a small-caliber automatic weapon. When not in use as a sprayer of lead, the barrel would provide extra heatsinking for cooling the tweeter during those raucous, swinging parties that only spies, top government officials, and aristocrats are invited to.
A quad array of JL Audio Gotham subwoofers would provide the groovy bass lines that Bond so desires while relaxing from a three-month undercover stint. The Gothams massive low-bass output could also be used to disorient unsuspecting intruders, or mask explosions so that sleeping guests arent awakened -- two handy features available with no modifications at all. A set of Krell Master Reference amplifiers could be bolted to the foundations of Bonds home -- but these Master Refs would not be fitted with the usual massive Krell innards. Instead, Jeff Rowland would modify these units with tiny class-D amps capable of outputting more power than the original Krell specs, leaving enough room inside the bulletproof metal chassis that they can be used as his-and-hers fallout shelters in case Bond cant defuse that suitcase nuke in time. Now that Ive outlined it, you, too, can have James Bonds stereo system. My understanding is that it sounds terrific, and has been measured to a tight frequency-response spec of +/-0.007dB from 20Hz to 20kHz. You might have noted that Ive left out the preamplifier. All I can say is that its Top Secret. I could tell you, but then . . . Id have to kill you. . . . Jeff Fritz
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