Pete Townshend: “Empty Glass”
- Written by: Joseph Taylor
- Category: Recording of the Month
Universal Music Recordings 4868197
Format: LP
Musical Performance: ****½
Sound Quality: ****
Overall Enjoyment: ****
Empty Glass (1980) was Pete Townshend’s second solo album, but his first to consist of songs he recorded with an eye toward official release under his own name. The album that preceded it, Who Came First (1972), included demos of songs recorded with The Who, tracks Townshend wrote in tribute to his spiritual advisor, Meher Baba, and one tune each by Billy Nicholls and Ronnie Lane, who were also followers of the Baba. The tribute songs originally appeared on limited-edition releases.
Perlisten Audio S5t Loudspeaker
- Written by: Hans Wetzel
- Category: Full-Length Reviews
It’s been a little more than three years since Perlisten Audio sprang into existence, and in that time, it has gone from obscurity to prominence. I’ve written about the company three times before: a profile of its founder and CEO, Dan Roemer; a review of the flagship model of its Reference line, the R7t ($9990 per pair; all prices in USD); and a blog piece on one of its big subwoofers, the D15s ($5995). I wouldn’t say I’m a Perlisten superfan, but I do have much respect for the company’s technical achievements and for their no-nonsense communications. Roemer, with decades of experience in audio engineering and an obvious passion for making high-value, high-performance loudspeakers, is insightful on all things hi-fi and a hoot to talk to.
Take Off the Blinkers!
- Written by: Jason Thorpe
- Category: Opinion
We’re allowed dissenting opinions here, right? Okay, then. In his May 2023 editorial on SoundStage! Access, Dennis Burger threw down a gauntlet, whether he realized it or not. The gist of Dennis’s editorial was how reasonably priced class-D amplification technology, including the Hypex Ncore NC2K and Purifi Eigentakt modules, is finding its way into more and more high-end components. This trend, which Dennis called “trickle-up tech,” has resulted in a growing number of overperforming products, including some of NAD’s recent Classic- and Masters-series amplifiers.
Luxman L-507Z Integrated Amplifier
- Written by: Hans Wetzel
- Category: Full-Length Reviews
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
I don’t usually find myself drawn to old-school gear that’s heavy on nostalgia. Maybe it’s because, as an older millennial, I didn’t cut my audio teeth on components with VU meters, knobs galore, and healthy dollops of brushed-silver hardware. But back in 2015, I reviewed Luxman’s L-550AX integrated amplifier ($4990 when available; all prices in USD) and fell for it hard. In many ways, that amplifier was the antithesis of the type of gear I ordinarily liked. Vintage looks, yellow-tinted VU meters, flyweight power (a mere 20Wpc into 8 ohms), and space-heater levels of thermal output from its pure class-A topology—that’s not a recipe I’d normally warm to on paper. But listening is believing, and I was so enchanted with the L-550AX’s sound, I declared it “outstanding” and “the best-sounding integrated amplifier for under $5000.” So, when I was offered the opportunity to review Luxman’s newest integrated amplifier, the L-507Z ($8995), I jumped at it.
“Animals”—Pink Floyd’s Classic Album Deconstructed
- Written by: Jason Thorpe
- Category: For the Record
Certain albums resonate with me. Often, it’s the setting I associate with these records that entrenches the music in my core memory. The music is important in isolation, of course, but the association with life events cements certain records into the root system.
Tony Allen / Adrian Younge: “Jazz Is Dead 18”
- Written by: Joseph Taylor
- Category: Recording of the Month
Jazz Is Dead Records JID018
Format: LP
Musical Performance: ****
Sound Quality: ***
Overall Enjoyment: ***½
When the great Nigerian drummer Tony Allen was in Fela Kuti’s band, Africa 70, he helped invent Afrobeat, which combined American funk and jazz with Nigeria’s own musical heritage. Allen played with Kuti throughout the 1970s and began recording on his own in 1975, while still with Africa 70. He began focusing on his own music more intently by the mid-1980s and worked with younger musicians in various genres throughout the 2000s. He played in two bands with Blur’s Damon Albarn: The Good, the Bad & the Queen, and Rocket Juice & the Moon.
Rega Research Planar 10 Turntable and Aphelion 2 Cartridge
- Written by: Jonathan Gorse
- Category: Full-Length Reviews
Engineering and philosophy
In the pantheon of British audio companies, Rega Research is surely one of the greats. Celebrating its 50th anniversary in 2023, Rega has for decades been at the top of the list for those on a modest budget who want a record player designed and built in the UK. For many years, the go-to recommendation was the company’s iconic Planar 3 turntable. But as its price crept upward, Rega introduced more affordable models, like the Planar 1 and Planar 2. Both turntables offer many of the Planar 3’s virtues at a more affordable price.
The Italian Job
- Written by: Jason Thorpe
- Category: Opinion
The flight home from Rome to Toronto following my factory tours of Unison Research and Opera Loudspeakers, Gold Note, and Audia Flight and Alare was near-as-dammit ten hours. That gave me plenty of time to cogitate on what I’d experienced at each stop.
Estelon XB Mk II Loudspeaker
- Written by: Jason Thorpe
- Category: Full-Length Reviews
In my mind, home-stereo loudspeakers can be grouped into three classes. Class One fulfills the primary goal of speaker design: this class of speaker just has to make music. All other goals are secondary. So they have to sit there, generally in front of the listener, and play sound through their drivers. These speakers should be, and generally are, dressed up somewhat, either in a nice wood veneer or a lacquer finish. But beyond that, they’re two MDF pillars, upon which you wouldn’t be remiss in resting a doily and a lamp or a potted plant. Or if you’re like me, the record sleeve from whatever’s playing on the ’table at that moment.
Larry Coryell: “Tricycles”
- Written by: Joseph Taylor
- Category: Recording of the Month
In+Out Records IOR LP 77146-1
Formats: LP, 24-bit/96kHz WAV download
Musical Performance: ****
Sound Quality: ****½
Overall Enjoyment: ****½
In 2002, jazz guitarist Larry Coryell was more than 30 years into his career when he recorded Tricycles for In+Out Records, a jazz label based in Germany. He was touring Europe with two other American musicians, drummer Paul Wertico and bassist Mark Egan, and in November they went into a studio in Heidelberg. According to Coryell’s liner notes, the weather had been bad during the tour. While the musicians were recording, they came down with “influenza or something . . . but somehow, we could still play.”
- PMC Twenty5.26i Loudspeaker
- The Ultra Rack I Didn’t Build
- Luxman PD-151 MARK II Turntable
- The Return of the Mixtape
- Lonnie Liston Smith, Ali Shaheed Muhammad, and Adrian Younge: “Jazz Is Dead 17”
- T+A Elektroakustik Solitaire S 530 Loudspeaker
- Farewell, SoundStage!
- PSB Synchrony T800 Loudspeaker
- H. Hawkline: “Milk for Flowers”
- My First Stereo Upgrade
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