Recording of the Month
- Written by: Jason Thorpe
- Category: Recording of the Month
In my December 2024 review of the Mitmat Foundation Premium turntable mat, I mentioned that I’d received a test pressing of Harkness’s new album, Ciao to the Beauty. As I’ve said before, I’ve known the musician Harkness since public school—age 14, I’d guess—and I’ve watched him in many practices and concerts through the years as he played in various bands. Despite a lifetime of performing, he hadn’t released a record of his own until The Occasion, which I wrote about back in 2022.
- Written by: Joseph Taylor
- Category: Recording of the Month
Contemporary Records / Craft Recordings / Acoustic Sounds CR00601
Format: LP
Musical Performance: ****½
Sound Quality: ****½
Overall Enjoyment: ****½
I’ve reviewed quite a few of the Contemporary Records / Acoustic Sounds vinyl reissues by Craft Recordings. It would be easy to just say, “Buy them. They sound great.” That would be true, but Craft has made it a point to reissue Contemporary Records LPs that deserve more recognition. Art Pepper Meets the Rhythm Section is well known, but André Previn’s take on West Side Story is perhaps less so. Craft has done jazz lovers a service by casting a wide net.
- Written by: Joseph Taylor
- Category: Recording of the Month
Rhino Records R1 516251 / 603497830824
Format: LP
Musical Performance: ***½
Sound Quality: ****
Overall Enjoyment: ****
The consensus among fans and critics is that Grateful Dead was primarily a live band, and its studio recordings were rarely good examples of its art. There are exceptions, of course. Workingman’s Dead and American Beauty, both from 1970, have long been considered outstanding and are among the best albums in rock music.
- Written by: Joseph Taylor
- Category: Recording of the Month
Golden Wolf Records GW009LP
Format: LP
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Drummer and producer Adam Deitch has worked on a lot of records since 1994, with musicians as diverse as John Scofield and DJ Quik. He is a member of three bands, which gives him the opportunity to show his grasp of different musical styles: electronica with Break Science, psychedelic funk with Lettuce, and 1960s-style soul jazz with the Adam Deitch Quartet.
- Written by: Joseph Taylor
- Category: Recording of the Month
Craft Recordings / Contemporary Records / Stereo Records CR00391
Format: LP
Musical Performance: ***½
Sound Quality: ****
Overall Enjoyment: ****
In the 1950s, Contemporary Records released a number of Broadway-themed LPs by trios led by pianist André Previn or drummer Shelly Manne. The sessions fronted by Previn featured Manne on drums and Red Mitchell on bass; Manne’s featured Previn and bassist Leroy Vinnegar. In my June 2023 review of the Craft Recordings / Contemporary Records reissue of West Side Story, the 1959 album by André Previn and His Pals, I wrote: “I’m already anticipating the Craft Recordings reissue of Manne’s My Fair Lady this fall.” Modern Jazz Performances of Songs from My Fair Lady was a 1956 mono release by Shelly Manne & His Friends, and its popularity led Contemporary to ask Previn and Manne to record more albums in the same vein.
- Written by: Joseph Taylor
- Category: Recording of the Month
Craft Recordings / Contemporary Records / Acoustic Sounds CR00595
Format: LP
Musical Performance: ***½
Sound Quality: ****
Overall Enjoyment: ****
Jazz composer and saxophonist Ornette Coleman was so revolutionary that even now, 65 years after he recorded his first album, his music remains challenging. His recording debut, Something Else!!!! (1958), and its follow-up, Tomorrow Is the Question! (1959), both appeared on Contemporary Records, whose owner, Lester Koenig, signed Coleman after bassist Red Mitchell brought his work to Koenig’s attention.
- Written by: Joseph Taylor
- Category: Recording of the Month
Universal Music Recordings 4868197
Format: LP
Musical Performance: ****½
Sound Quality: ****
Overall Enjoyment: ****
Empty Glass (1980) was Pete Townshend’s second solo album, but his first to consist of songs he recorded with an eye toward official release under his own name. The album that preceded it, Who Came First (1972), included demos of songs recorded with The Who, tracks Townshend wrote in tribute to his spiritual advisor, Meher Baba, and one tune each by Billy Nicholls and Ronnie Lane, who were also followers of the Baba. The tribute songs originally appeared on limited-edition releases.
- Written by: Joseph Taylor
- Category: Recording of the Month
Jazz Is Dead Records JID018
Format: LP
Musical Performance: ****
Sound Quality: ***
Overall Enjoyment: ***½
When the great Nigerian drummer Tony Allen was in Fela Kuti’s band, Africa 70, he helped invent Afrobeat, which combined American funk and jazz with Nigeria’s own musical heritage. Allen played with Kuti throughout the 1970s and began recording on his own in 1975, while still with Africa 70. He began focusing on his own music more intently by the mid-1980s and worked with younger musicians in various genres throughout the 2000s. He played in two bands with Blur’s Damon Albarn: The Good, the Bad & the Queen, and Rocket Juice & the Moon.
- Written by: Joseph Taylor
- Category: Recording of the Month
In+Out Records IOR LP 77146-1
Formats: LP, 24-bit/96kHz WAV download
Musical Performance: ****
Sound Quality: ****½
Overall Enjoyment: ****½
In 2002, jazz guitarist Larry Coryell was more than 30 years into his career when he recorded Tricycles for In+Out Records, a jazz label based in Germany. He was touring Europe with two other American musicians, drummer Paul Wertico and bassist Mark Egan, and in November they went into a studio in Heidelberg. According to Coryell’s liner notes, the weather had been bad during the tour. While the musicians were recording, they came down with “influenza or something . . . but somehow, we could still play.”
- Written by: Joseph Taylor
- Category: Recording of the Month
Jazz Is Dead 17
Format: LP
Musical Performance: ****
Sound Quality: ***
Overall Enjoyment: ***½
Adrian Younge and Ali Shaheed Muhammad have helmed 16 previous recordings for the Jazz Is Dead series. They’ve worked with well-known jazz musicians, such as Roy Ayers, Brian Jackson, and Gary Bartz, as well as more obscure players. For Jazz Is Dead 17, they’ve developed nine tracks with jazz keyboard player Lonnie Liston Smith, whose discography includes 16 titles as a leader, and many other outings as a sideman. He contributed keys to albums by Miles Davis, Rahsaan Roland Kirk, Gato Barbieri, and many other musicians over a career that began in the late 1960s.
- H. Hawkline: “Milk for Flowers”
- Art Pepper: “Art Pepper Meets the Rhythm Section”
- Garrett Saracho: "Jazz Is Dead 15"
- Frank Zappa: "Waka/Jawaka"
- Richard Dawson: "The Ruby Cord"
- Grant Green: "Feelin' the Spirit"
- The Comet Is Coming: "Hyper-Dimensional Expansion Beam"
- Larry Young: "Unity"
- Gerald Wilson: "Moment of Truth"
- Bill Evans: "Trio ’65"
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